09/27/21: Ross Greenburg breaks down the art of storytelling

 

Medias First Morning Read

 

Monday September 27, 2021

Ross Greenburg has won more major awards for sports production than anyone in the business. In addition to Directing and Producing Bob Costas’ current project for HBO “Back on The Record,” the 56-time Emmy Award winner just directed and produced Extra Innings from 9/11: 20 Years Later – a feature-length documentary that retold the story of how baseball helped aid both New York and the nation’s recovery in the weeks and months following the horrific attacks for HBO Max, and is working on a feature film with Netflix on the 1999 Women’s World Cup Team. As we have seen with these projects, as well as Ken Burns’ documentary on Muhammad Ali, the breath of storytelling and retelling a story on any platform remains a high artform, so we asked Ross to explain how he has adapted storytelling with so many places to do so, and audiences to reach both again, and in many cases, for the first time.

Greenburg on the biggest challenge to storytelling: We have to search for the stories that transcend the world of sports. Those stories have to have a heartbeat, and draw out the emotions of the viewer. The audience should not necessarily be narrowed down to a specific demographic. The challenge is to find tales that tap into the collective human spirit. I have always used the phrase, “make them laugh, make them cry, make them think,” and I think you saw that in the 9/11 documentary we just completed with Sandy Montag and Joe Lavine.

On the new opportunities for streaming and growing the creative process: Streaming has broadened and introduced different programming formats. Producers can now develop episodic documentaries, scripted series, films, and mini-series, for a variety of broadcasters and streaming services. The story ideas can now be adapted to these various formats. And most importantly, streaming has added to the potential list of buyers. There are so many new personalities being brought to the forefront, from Formula 1 to women’s sports, which I am a huge champion of, that would never have seen the light of day even five years ago.

On the worry of consumer overload: There will never be too many programs for a thirsty, world-wide audience, and the audience, especially when talking to a company like Netflix, is global. The challenge will be to create content that breaks through the clutter, and gets the “word of mouth” attention we all crave as content creators. You have to have an “if you build it, they will come” attitude. If you believe in your idea, and produce a quality product, they will watch. We can never inspire the consumer enough, it’s what they crave, what distributors crave and in many cases what brands want to attach themselves to.

On balancing the workload: We have had, or will have soon, projects going for everyone from HBO and Netflix and NBC to ESPN, CBS and Showtime as well as with many leagues and properties, which would have been unheard of in the past. I have had the pleasure of meeting so many people in this wonderful industry for over forty years. Those people are working at many of those companies. I have also been able to work with some of the most dedicated and skilled producers, directors, writers, cinematographers, editors and composers in this business. It began at HBO, and we built something pretty special there. It is a thrill to be working with that company again. But I am also very thankful to be working with my many new friends at all of these other companies.

On the relaunch of Costas on HBO: The difference in doing a show with a traditional format that we have is Bob Costas. I don’t think there is another broadcaster in our business with his range, mind and communicative skills. This show format appeals to all of his strengths, and gives him the opportunity to “speak his mind.” When you have Tom Brady, Michael Jordan or Derek Jeter on your team you find a place for them to play. Nina Rosenstein and Jon Crystal have put together a great team behind the camera, with many of Bob’s long time comrades in arms like Bruce Cornblatt and Aaron Cohen, Howard Bryant, Scott Carter and Bomani Jones . It feels like a reunion tour, and Mick Jagger can still perform.

PROGRAMMING

The NFL revealed that Super Wild Card Weekend (running January 15-17, 2022) will now conclude with a game on Monday night. The NFL expanded the playoffs last season for the first time since 1990, adding a third Wild Card team in each conference and in the process creating “Super Wild Card Weekend” – three Wild Card games on Saturday and three games on Sunday. With the addition of a Monday night game to the 2021 playoffs, Super Wild Card Weekend will now have two Wild Card games on Saturday (4:35p and 8:15p), three on Sunday (1:05p, 4:40p, and 8:15p), and one on Monday (8:15p). For the 2021 season, CBS and NBC will both broadcast two Super Wild Card Weekend games while FOX and ESPN/ABC will each have one. The broadcaster for the Monday night game of Super Wild Card Weekend is yet to be determined.

Meanwhile, Thursday Night Football last week, featuring the Carolina Panthers’ 24-9 win over the Houston Texans, drew an average of 7.9 million viewers (TV + Digital) – slightly surpassing last week’s New York Giants vs. Washington Football Team game to make it NFL Network’s most-watched exclusive Thursday Night Football game since 2018. That number is up 35% versus last year’s Week 3 Thursday Night Football matchup between the Miami Dolphins and Jacksonville Jaguars and up 25% vs. the 2020 NFL Network exclusive Thursday Night Football three-game average.

In other Nielsen numbers, FOX Sports saw Notre Dame/Wisconsin notch a 3.5/12 overnight rating, to rank as the top-rated event of the data, according to the company. Top markets included Milwaukee with a 14.0/40, followed by Columbus, Indianapolis, Detroit and Cincinnati.

FOX Sports also announced that Big Noon Kickoff’s road trip will continue with stops in Iowa City for Penn State/Iowa on Oct. 9. The game will kickoff at 4p that day on FOX. Next week will see the crew in Madison for Michigan/Wisconsin.

What do the Dallas Cowboys know about the metaverse and esports that you don’t? Where are sports brands heading to talk, discuss and learn about the powerful cross-section of pop culture, gaming, music, influencers, fashion and esports? Esports Business Summit! Running Oct. 18-20 at Caesars in Las Vegas, don’t miss the industry’s biggest meeting of the minds, with sports brands that include sports team owners, executives and players from the NFL, MLS, NHL, MLB, NBA, and Formula 1 along with universities, collegiate conferences and more! (And those are just the sports representatives!) Don’t miss the boat and play with us by getting your tickets today. Click here.

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SPONSORSHIP & PROMOTION

 

The Washington Capitals and Caesars Entertainment announced a multi-year partnership agreement that places the Caesars Sportsbook logo on Capitals home and third jerseys worn for games played at Capital One Arena beginning with the 2022-23 NHL season. The deal marks the first team announced agreement in the NHL’s Jersey Advertising Program and will see Caesars Sportsbook represented via a 3 x 3.5 inch patch positioned on the upper right chest area of the jersey. In addition to the home jersey patch, Monumental Sports & Entertainment (MSE) and Caesars Sportsbook expand their partnership with additional Casino, Gaming and Caesars Rewards programming elements. The agreement also includes the entitlement of a Caesars hospitality space and VIP seating at Capital One Arena.

Meanwhile, Madison Square Garden Sports Corp. unveiled a marketing partnership with Benjamin Moore, naming the paint, color and coatings brand as the Official Paint Partner of the New York Rangers. As part of the partnership, Benjamin Moore becomes the Rangers in-game helmet sponsor beginning with the 2021-22 NHL Season and will have an in-ice logo position during all Rangers games at Madison Square Garden. Additionally, four colors representing the Rangers palette will be added to the Benjamin Moore Sports Collection.

DIGITAL, DATA & TECH

Today sees Bleacher Report debut its new hockey vertical – B/R Open Ice – with a focus on reaching the “next generation of hockey fans through relatable and authentic, live, access-driven and creator-led content that indexes towards the personalities of the players as much as the game itself.” Andrew ‘Nasher’ Telfer anchors the brand’s content strategy and stars in a slate of interactive mid and long-form content offerings for NHL rights across Bleacher Report, House of Highlights, and the B/R app.

ESPORTS

Fnatic landed a three-year deal with online fashion and cosmetic retailer ASOS, which will now serve as the org’s Official Retail Fashion Partner. Deal points will include on-and-offline activations, along with ASOS logo placement on the front of Fnatic jerseys. The deal marks the first esports brand partnership for ASOS.

Intema Solutions completed the acquisition of Team Bloodhounds. “We couldn’t be more thrilled to finalize the acquisition of Team BH,” said Laurent Benezra, President and CEO of Intema. “Matteo built Team BH from the ground up, and in just three years, transformed it into a global juggernaut and Canada’s second most followed Fortnite esports team. Team BH has an engaged audience yet has barely scratched the surface as far as impact, influence, and reach in the esports space. We envision Team BH as a game-changing member of our growing esports ecosystem and are ready to help them take things to the next level.”

INDUSTRY & ROSTER MOVES

IMG and FIFA locked in a deal to market worldwide media rights for the African Qualifiers for the FIFA World Cup Qatar 2022. As part of the agreement, IMG has been awarded by FIFA a total of 130 matches featuring 40 countries from across the African continent. These matches include 120 Round 2 matches and 10 home and away Play-Off games that will see five African teams qualify for FIFA World Cup Qatar 2022, which takes place from 21 November-18 December 2022.

The Game Day expanded its executive team. The new team consists of Charlie Emerson, Chief Commercial Officer; Rachel Vella, Vice President of Finance; Adam Hirsch, VP of Talent and Partnerships, and Evan Sporer, VP of Social Programming.

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DIRECTOR OF POST PRODUCTION
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Oversees all post production activities with an emphasis on scheduling, staffing and workflow management. Director of Post is directly across media prep, media management, offline, online, graphics, post audio, and deliverables departments. A great attitude and willingness to help are a high priority! 5 yrs of post production supervisory exp req. Full info HERE (10/1)

PUBLICIST
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DIRECT RESPONSE ADVERTISING SALES ASSISTANT
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DIRECTOR OF PUBLIC PROGRAMMING AND FESTIVALS >>
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Assist in delivering a relevant programming agenda for the institution and will constantly monitor progress of program plans and ensure that timelines, deliverables, and best practices are being adhered to and that programs meet a bi-annual calendar. 10+ years of producing live productions within entertainment, sports and other media Full info HERE (9/29)

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MEDIAOCEAN/NYC, NY:
Execute a coordinated account plan for driving growth and adoption of Mediaocean solutions. Maintain a regular cadence of on-site visits to consult end users, identify and address business needs and challenges. Act as a trusted advisor and partner with customer contacts. 5+ years of experience in client services or consulting. Full info HERE (9/28)

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MEDIAOCEAN/CHICAGO, IL:
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CUSTOMER SUCCESS DIRECTOR >>
MEDIAOCEAN/CHICAGO IL:
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SENIOR PRODUCER, MORNINGS ON 1
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MULTIMEDIA JOURNALIST >>
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MANAGER, MARKETING PROMOTIONS AND PARTNERSHIPS >>
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