| Good morning! It’s Tuesday, and this is your monthly Cynopsis Sports newsletter. |
GAME ON |
| Sports have become the dominant driver throughout each corner of the media ecosystem. Its live events stand as one of the few reliable attachments for brands and companies to create so that they can capitalize on consumer interest—and more importantly, consumer spending. However, esports has spent the better part of the last decade proving it can scale globally and build massive audiences. Events like the Esports World Cup have only accelerated that trajectory, but there’s yet to be something that fully takes advantage of one of sports’ oldest and most effective engagement drivers: national pride.
The upcoming Esports Nations Cup aims to fill that gap, introducing a national team format layered on top of an already maturing ecosystem. Recently, the Esports World Cup Foundation awarded National Team Partner status to more than 100 countries ahead of the inaugural event in Riyadh, taking place Nov. 2-29.
It also comes at a moment when investment in the esports space is surging. The Esports World Cup made a $75 million prize pool commitment, and esports events at large are gaining interest from non-endemic brands. Cynopsis Sports wanted to learn more about the growing interest and the potential esports has, so we caught up with Ralf Reichert, CEO of the Esports World Cup Foundation.
You’ve positioned the Esports Nations Cup as a new layer in the ecosystem. What gap does a nation-based format fill that hasn’t been addressed yet?
What the Esports Nations Cup really introduces is a dimension esports has been missing: meaningful national representation that connects players and fans in a much more immediate way.
For players, representing their nation or territory is fundamentally different from competing for a club. In traditional sports, those moments often define careers, because they make success more relatable and connect athletes to a much broader audience. Look at USA Hockey’s Jack Hughes and Aerin Frankel, for example. Esports has the talent and the global reach, but it has not had that consistent national stage across titles.
For fans, the impact is just as important. Esports today can be complex to follow, especially across different games and ecosystems. National teams simplify that instantly. You don’t need deep knowledge to understand what it means when your flag is competing. That creates a much more natural entry point and strengthens the emotional connection.
So this is not about adding another competition. It is about adding a layer that completes the ecosystem, one that makes esports easier to connect to and ultimately expands who engages with it.
Why is now the right time to introduce a national team competition in esports?
The timing works because several things have matured at the same time. There is now real alignment across publishers, which is essential for a format that spans multiple titles. That level of cooperation simply did not exist before, and without it, a national competition would not be credible.
At the same time, the ecosystem has already proven it can operate at global scale. The Esports World Cup showed that you can bring together different games, audiences, and stakeholders into one coherent platform. Once that foundation exists, you can build additional layers on top of it.
Finally, the industry itself is evolving. Esports grew bottom-up, which created authenticity, but it also meant that certain structural layers never developed. National teams introduce that missing piece by creating a clear role for institutions within the ecosystem. When you combine these factors, it creates the right moment to introduce this format in a way that is both real and sustainable.
How do you see national identity changing fan engagement compared to “club-level” or organizational-level fandom?
It adds a unifying layer without disrupting what already exists. Today, esports fandom is largely built around individual games, teams, and players. National competition introduces a reason to engage that sits above those layers and does not depend on following a specific title.
That changes how people interact with the ecosystem. Even if you do not follow every game, you are far more likely to watch. It’s an emotional connection that is understood across borders and languages. That creates a natural bridge between different communities, connecting them without forcing them into a single structure.
At the same time, the integrity of each title remains unchanged. The best players still compete at the highest level within their games. The result is not a replacement of existing fandom, but an expansion of it, adding a shared layer that brings more people in and connects the overall experience.
Does a national team model unlock new categories of advertisers or partners that haven’t traditionally invested in esports?
It does, because it changes how the platform is understood. Traditional esports partnerships have largely been tied to specific games, publishers, or teams, which naturally limits the types of brands that can engage.
A national-team model shifts that perspective. It creates a platform built around representation and identity, which are much more universal concepts. It gives what are typically local events global appeal. That makes it easier for partners who are already active in traditional sports, as well as institutions operating at a national level, to participate in a meaningful way.
It also enables a different kind of storytelling. Instead of aligning with a single team or title, brands can connect to moments of national pride, rivalry, and representation. That broader narrative naturally attracts a wider and more diverse set of partners.
The launch of ENC and the $75 million EWC prize pool are significant investments. What does success look like? How are you measuring ROI?
Success starts with players and extends outward from there. If the best players want to compete, if they take pride in representing where they’re from, and if they see this as meaningful for their careers, then you have built something that matters at the core.
From there, it needs to resonate more broadly. Someone who has never followed esports should immediately understand why it is relevant, while the core audience needs to recognize the level of competition as uncompromised and world-class.
If those two things come together, strong player buy-in and broader audience relevance without sacrificing quality, then the model is working. That is the benchmark for year one.
Saudi Arabia and Riyadh have become a major hub for global esports events. However, there’s been rising conflict in the Middle East recently. Are there geopolitical factors at play when planning global events like this?
Operating at a global scale means you are always aware of the broader context, but it does not define the event itself. The focus is on building a competitive platform that is fair, structured, and centered on players and fans.
That requires clear governance, strong alignment with publishers, and consistent standards across all participants. Esports, like traditional sport, needs to operate as a neutral space, and that principle is fundamental to how we approach it.
At the same time, delivering events at this scale comes with operational responsibility. Safety, planning, and coordination with the relevant authorities are integral parts of execution. The goal is to build something that is trusted, open, and global, and if that foundation is maintained, esports can continue to grow as a platform that brings people together |
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FUBO FOCUSING ON THE PHONES |
| In another example of mobile devices being used to consume content, Fubo upgraded its iOS and Android apps “to optimize the sports streaming experience for fans wherever they are.” Some of the new enhancements include the availability of its “Team Channels” feature in vertical. Team Channels lets users DVR programming related to their favorite teams and leagues, before using proprietary AI technology to create bite-sized playlists of highlights and news. Fubo will also now send alerts for key moments and breaking news, letting users tap and begin watching coverage. Plus, the vMVPD’s home screen carousel will start playing live video so users can discover content more quickly.
“We recognize that sports fans and news junkies aren’t always at home. By leveraging our proprietary AI at scale, we’re transforming the Fubo mobile app from a simple streaming tool into a high-value, personalized, content engine. Fans rely on their smartphones for updates and quick hits, and Fubo is committed to delivering these high-stakes moments in addition to full live coverage,” said Isaac Josephson, SVP, Product Management. |
BY THE NUMBERS |
| Is the Olympic boost still helping the NHL? If you go by TV ratings, yes. ESPN said it had the most-watched NHL season since the current rights deal began in 2021-22. The network, along with ABC, averaged 760,000 viewers across 54 games. That’s a 30% jump from last season and includes other year-over-year improvements for groups such as females (36%), P2-17 (46%) and P25-34 (32%). ABC’s average came in at 1.1 million for 16 games, while ESPN finished at 602,000 for 38 games. Meanwhile, TNT Sports had its most-watched regular season of NHL coverage on record, with overall viewership up 19% YOY while its Sunday package averaged 713,000, up 77%. Ratings after the Olympics came in at 453,000, up 47% compared to the audience following the 2025 4 Nations Face-Off.
The momentum has carried into the postseason so far. ESPN had three of the most-watched first-round games ever on cable (not including Game 7 broadcasts), all of which were Game 1s: Flyers-Penguins (2.1 million), Wild-Stars (1.9 million) and Bruins-Sabres (1.7 million). Then, ESPN had a pair of the most-watched Game 2s on cable with the Flyers-Pens (1.6 million) and Bruins-Sabres (1.2 million).
As it does each year in tandem with hockey, the NBA wrapped up its regular season, the first under its new 11-year pact with Disney, NBCU and Amazon. NBC Sports’ return after a 24-year hiatus had a total audience delivery of 2.8 million viewers across the Tuesday and Sunday games on NBC and Peacock. Sunday Night Basketball had 3.4 million viewers—the most-watched Sunday NBA package in 13 years, sans Christmas Day games—while Tuesday’s games had 2.6 million viewers. The Sunday night studio show “Basketball Night in America” had 1.6 million viewers. Amazon’s streaming service Prime Video checked in at 1 million viewers across 67 regular-season games. As it normally does with ratings, the streamer boasted its younger viewership. The median age of NBA on Prime Video was 46.9, nine years younger than audiences on linear channels (56). ESPN, meanwhile, posted its best NBA regular season in seven years with 1.9 million viewers across the network and ABC. The first chapter of “Inside the NBA” after leaving TNT Sports finished with an audience of 1.3 million.
The Premier League title race is going down to the wire, and a crucial match between first and second place paid off for NBC Sports. Manchester City’s 2-1 win over Arsenal became the most-watched Premier League match in U.S. history, averaging 2.6 million viewers across NBC, Peacock, Telemundo and other NBC Sports digital platforms. Arsenal have been involved in all the U.S.’ top five most-viewed PL games, with a 2024 match against City coming just below this year’s duel. Following that was a pair of Manchester United-Arsenal games in 2025 (2.5 million) and 2023 (2.3 million), as well as Liverpool-Arsenal recording 2.3 million in 2023.
Elsewhere at ESPN, the WNBA had its second-largest audience ever. The telecast had 1.5 million viewers and a peak of 1.79 million, only trailing the 2.45 million who tuned into the 2024 Draft. The event, hosted on April 13, was the most-viewed program of the night among A18-34 and M25-54. It was also the top telecast on cable among people under 50, A18-34, A18-49, A25-54, M18-34, M18-49 and M25-54. Additionally, “WNBA Countdown” had 692,000 viewers, up 7% from 2025. |
PARTNER UP |
| Scripps Sports signed a multiyear rights deal with Professional Bullriders to add Premier Women’s Rodeo to ION and Grit come May. The two networks will air the 2026 PWR Championship on May 17 at 1pm. Once 2027 hits, the pact will grow to include the original series “PWR: Road to the Championship” on Grit. In 2027, ION and Grit will air a minimum of 18 hours of women’s rodeo programming across 16 broadcasts.
The NFL and its Players Association tapped Fanatics Collectibles-owned Topps as their exclusive trading card licensee. It signals the first time Topps will make and design licensed football cards since 2016. The multiyear deal lets Fanatics Collectibles use official team logos, names, marks, helmet designs and uniforms in addition to NFL branding for cards and packaging. The first set of the partnership was released April 15, which came with one-of-one Topps Rookie PREM1ERE Patch Autograph cards and one-of-one NFL Honors Gold Shield Autograph cards. The former features patches worn by players for the first time they played in an NFL regular-season game, including Cam Ward, Cam Skattebo, TreVeyon Henderson and Jaxson Dart. The latter boasts game-worn patches from 2024 AP Award winners like Josh Allen, Saquon Barkley and Jayden Daniels.
It’s not the only collab the NFL made with Fanatics, which became the league’s official on-site retail partner at marquee global events. That includes the NFL Draft, Super Bowl and NFL International Games. Fanatics will oversee NFL Shop retail operations both at stadiums and at surrounding city locations, as well as install new creative measures “to build a more cohesive retail footprint throughout the host cities and across game weekends.”
A car brand is looking to take a swing at golf. McLaren Golf turned heads when it signed Justin Rose as its first global ambassador. Rose, who’s also an investor in the unit, will use McLaren-made clubs, though it’s unknown which specific type and how many.
Don’t get too thirsty. Popular vodka brand Tito’s inked a multiyear partnership with T-Mobile Arena, home to the Las Vegas Golden Knights, to install a permanent fan-facing presence inside the venue. That includes “The 1997 Lounge,” a hospitality space that offers custom cocktails and integrated brand moments, as well as on-site activations and community integrations. |
MINNESOTA LYNX SAY ‘VICTORY’ (PLUS) |
| The WNBA’s Minnesota Lynx solidified a deal to make Victory+ its new local streaming partner, meaning fans will get free streaming access to all regional regular-season and preseason telecasts. “As the WNBA enters a new era of growth following the CBA, access matters more than ever. We heard clearly from fans about how and where they watch, and Victory+ allows us to remove barriers and make Lynx basketball more accessible than ever before,” said Matt Caldwell, CEO of the Lynx and NBA’s Timberwolves. “This is about growing the game the right way.” Victory+ is available on smart TV and mobile devices such as Android, Apple TV, LG, Roku and Amazon Fire TV. |
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NEW CAMPAIGNS |
| Speaking of “Inside the NBA,” ESPN is leaning on the highly popular studio show in a new marketing campaign highlighting the NBA Playoffs and upcoming Finals. “Inside the NBA Lives on ESPN and ABC” features all four of Ernie Johnson, Charles Barkley, Shaquille O’Neal and Kenny Smith as they give fans a behind-the-scenes look. The first two spots were rolled out mid-April, and more creative pieces will be introduced throughout the remainder of the postseason.
ESPN introduced a new campaign to drive more attention toward the Athletes Unlimited Softball League and the high-profile players that are helping it grow. The network hosted Maya Brady, Kinzie Hansen, Sis Bates, Ana Gold and eight others in a full-day shoot that included custom team environments, new uniforms and a magazine-themed visual style to create broadcast, digital and social assets. The 12 athletes were also featured in various ESPN studio and radio shows to generate more awareness toward the “This is Legendary” campaign. |
LET’S GET TECHNICAL |
| StackAdapt, an AI advertising and orchestration platform, launched a dedicated Live Events campaign workflow that packs a centralized planning hub, dedicated campaign subtype and enhanced pacing and frequency controls for short, high-demand event windows. It also comes with package-level reporting and improved delivery visibility that provide clearer insights into live sports campaign performance, in addition to the ability for advertisers to activate campaigns across premium broadcast and streaming partners.
International graphics solutions provider Deltatre completed a direct-to-fan website and app experience for Italy’s top soccer division Serie A. It’s a four-year partnership that’ll see the platforms serve as a primary content and statistics hub for all Serie A competitions, including the Serie A Championship, Coppa Italia, Supercoppa Italiana, Primavera Championship 1, Coppa Italia Primavera and Supercoppa Primavera. Deltatre’s FORGE product is what powers the experience, using AI to place content that gives Serie A the ability to scale and monetize better.
It’s similar technology Deltatre is using to help the German Football Association launch DFC.TV+. It’s a complementary offering to the 24/7 pay-TV channel DFB.TV, though Deltatre will use its VESPER technology to power DFB.TV+ and let the association curate, monetize and deliver a seamless direct-to-consumer viewing experience. |
WHAT TO WATCH FOR |
| Play-by-play announcer and beloved college basketball pundit John Fanta is adding to his portfolio, joining NBC Sports’ coverage of the 2026 Kentucky Derby on May 2. Fanta will primarily provide infield coverage from Churchill Downs. Festivities begin at 2:30pm on NBC and Peacock.
Cara Banks was named the main play-by-play voice of NBC Sports’ LPGA Tour coverage. Banks was assigned PxP duties for select events in 2025. Prior to that, she worked as a PGA Tour reporter and has contributed to Olympics coverage in Milan Cortina and Paris.
Hockey analyst John Buccigross signed a multiyear extension to remain at ESPN. He joined the company in 1996.
MLB is hoping to build an audience on YouTube, and it’s doing so through a new youth-focused content platform called “MLB Clubhouse.” It’ll include original series that cover areas like player storytelling, highlights and educational and creative content pertaining to baseball and softball. |
ON THIS DAY |
| 1887: Monsieur Fossier, Chief Editor of the Parisian publication Le Vélocipède, organized the first-ever motor racing event—if you can call it a race. It was a 1.2-mile track that saw Georges Bouton win. However, he was the only participant, so the first motoring competition is often credited to an 1894 event put on by Le Petit Journal that featured 69 cars at its beginning.
1923: Wembley Stadium, then known as the British Empire Exhibition Stadium, opened in London, England. It cost £750,000 to build and debuted with the FA Cup Final between Bolton Wanderers and West Ham United (Bolton won 2-0). After undergoing renovations in 1963, the stadium was eventually demolished in 2003 so that a new Wembley Stadium could be built. The 90,000-seat facility remains the home site for English national team games, the FA Cup Final and semifinals, EFL Cup and promotion playoff finals for the EFL Championship, League 1, League 2 and Enterprise National League.
1967: Boxing great Muhammad Ali refused to step forward when drafted into the U.S. Army, resulting in his arrest and his title being removed by the World Boxing Association. Since the New York State Athletic Commission and other entities stripped Ali of his boxing license, he was unable to fight until “The Fight of the Century” took place in 1971 (while his conviction was being appealed). Ali took on Joe Frazier at Madison Square Garden in a bout that aired in 36 countries. Frazier defeated Ali in a unanimous decision, handing Ali his first professional loss.
1985: Billy Martin was hired as the Yankees’ manager. No, it wasn’t the first time, but rather the fourth time the Yankees tapped Martin to lead the way. He replaced Yogi Berra, the same person who filled in for Martin after his third departure in 1983 following the infamous Pine Tar Game. Martin’s fourth stint lasted one season, going 91-54 as the Yankees finished third in the AL East and missed the playoffs.
1988: The Baltimore Orioles lose an AL record 21st consecutive game. The mark stands to this day, though the Chicago White Sox tied the 21-straight losses in 2024.
2018: UCF linebacker Shaquem Griffin became the first one-handed player to be drafted in the NFL when the Seahawks took him in the fifth round. |
EXECUTIVE >>
TBS INTERNATIONAL/LOS ANGELES, CA: Draft, review, and negotiate a broad range of entertainment and media agreements, with a primary focus on unscripted television, format licensing, and intellectual property distribution. Handle development, production, and co-production agreements, including situations where TBS is designated as the production entity providing production services. More info HERE
PRINT TRAFFICKER AND TECHNICAL COORDINATOR >>
FILM FEST DC/WASHINGTON, DC: Coordinate direct communication between print sources and the festival to ensure the on-time inbound and outbound delivery of all film materials and work with venue staff to deliver and test each film and KDM. Request and collect KDMs for all encrypted DCPs and maintain a spreadsheet that contains all the aspects of the film. Full info HERE
MANAGER, MEMBER ENGAGEMENT AND ANALYTICS >>
TELEVISION ACADEMY/NORTH HOLLYWOOD, CA:
Lead the execution of initiatives such as the Peer Circle program and Your Voice Matters, reviewing data to enhance program participation and ensure metrics are achieved; collaborate with the Senior Director of Engagement and Retention and stakeholders across marketing to manage delivery and optimization of the Member Benefits Perks newsletter. Full info HERE
BROADCAST ENGINEER >>
HIGH POINT UNIVERSITY/HIGH POINT, NC: Ensure high-quality production environments and provide technical leadership to faculty, staff, and students in live and recorded productions and play a role in supporting the school’s mission to provide industry-standard production experiences for students and will have opportunities to contribute to the development of emerging media technologies. More info HERE
ASSOCIATE PROFESSOR OF THE PRACTICE, MULTI-EPISODE TELEVISION PRODUCING >>
BOSTON UNIVERSITY – COLLEGE OF COMMUNICATION/BOSTON, MA: Develope, produce, and manage scripted and unscripted multi-episodic series for linear television and/or streaming. Qualified applicants will be distinguished multi-platform practitioners with a significant body of “boots on the ground” work in the TV and streaming industry. The position will require in-class instruction and on-set exercises. Full info HERE
PROFESSOR OF THE PRACTICE: STUDIO AND/OR FIELD DIRECTING; MULTIPLE CAMERAS >>
BOSTON UNIVERSITY – COLLEGE OF COMMUNICATION/BOSTON, MA: We seek a colleague with a significant body of practical work in television directing using multiple cameras for linear television and/or streaming platforms. Familiarity with visual effects and AI-supported tools is considered a plus. This position includes teaching directing of scripted and/or unscripted content using multiple cameras at many levels. Full info HERE
ASSOCIATE PROFESSOR OF THE PRACTICE: VERTICAL FILMMAKING/CONTENT CREATOR >>
BOSTON UNIVERSITY – COLLEGE OF COMMUNICATION/BOSTON, MA: We seek a colleague with a professional track record in the creation and development of original short-form content aimed at promoting, activating, and motivating young people through social activism, experimentation, entertainment, brand building, and audience engagement across today’s leading content platforms and social media ecosystems. More info HERE
SALES MANAGER – AP AD INSIGHTS HUB >>
ADVERTISER PERCEPTIONS/NEW YORK, NY: Drive direct sales of the platform offering, focusing heavily on new client acquisition. Reporting to and working closely with the GM of the Ad Insights Hub, this individual contributor will partner cross-functionally with Sales, Business Intelligence, Operations, and Client Services teams to build awareness and engagement with new clients. Full info HERE
SALES DIRECTOR – OMG
MOONBUG ENTERTAINMENT
NEW YORK, NY
Deliver and exceed sales revenue targets as well as build, manage and grow a strategic account list with a focus on Omnicom agencies and their clients directly, within the northeast. Ability to navigate holding company structure and negotiate strategic partnerships with key stakeholders (ratecards, preferred programmatic deals, content deals, etc.). More info HERE
DIRECTOR OF PERFORMANCE MARKETING >>
ATHLETE TO ATHLETE/SANTA MONICA, CA: Lead the performance marketing team across Meta Ads and new paid digital channels (TikTok, YouTube, Google, etc.) as well as build and execute a roadmap for channel expansion and profitable scale. Develop and run structured testing frameworks. Partner with Creative Strategist on ad briefs, testing priorities, and creative feedback loops. Full info HERE
NATIONAL SALES MANAGER>>
HEARST MEDIA PRODUCTION GROUP/CHARLOTTE, NC: Oversee daily sales pipeline operations focused on national sponsorships, integrations, and branded content tied to unscripted programming. Manage and coach the Business Development team, drive outbound activity, shape proposals and pricing, and lead CRM strategy, reporting, and optimizations via Salesforce. Full info HERE
ASSOCIATE PRODUCER >>
NTD/WASHINGTON, DC: Pitch story ideas and write scripts/segment outlines as well as research guests and interview topics. Book guests and coordinate interviews. Help with logistics and sometimes field production. Support shoots and ensure production runs smoothly. Review footage and work with editors to shape final episodes. Write headlines, teasers, and social posts. Full info HERE
DIRECTOR, HUMAN RESOURCES AND ADMINISTRATION >>
THE JIM HENSON COMPANY/HOLLYWOOD, CA: Responsible for all HR functions and oversight of administrative and management needs. This strategic role is charged with operating from a customer service driven viewpoint that prioritizes employee satisfaction as well as enforce legally compliant policies, increase efficiency by implementing administrative and record-keeping best practices. Full info HERE
SR. DIRECTOR OF SALES, KSTU & KUPX >>
THE E.W. SCRIPPS COMPANY/SALT LAKE CITY: Leverage our suite of advertising solutions to unlock growth opportunities for local and national businesses. Play a role in driving the station’s revenue goals as well as serving as the home station for Utah’s new NHL team. Collaborate with our production team to create campaigns that connect our clients with their customers in meaningful ways. Full info HERE
DIGITAL MEDIA BUYER >>
FURMAN ROTH ADVERTISING/NY(HYBRID): Plan, launch, and optimize digital marketing campaigns across various paid media channels (including Display, Google products, Paid Social, CTV, and Programmatic, etc.) while managing budgets effectively. Support the execution of media plans across platforms, overseeing targeting, budget allocation, and performance tracking to drive campaign success. Full info HERE
ACCOUNT DIRECTOR; CTV BRAND PARTNERSHIPS – MID WEST/WEST COAST
FUTURE TODAY
REMOTE
Build, maintain and expand a pipeline of sales targets, contacts, and sales opportunities leveraging your relationships with a heavy focus on new business revenue. Build/nurture relationships with the investment, strategy, precision and digital agencies as well as clients. Also maintain an ongoing knowledge of the streaming media landscape. Full info HERE
DIRECTOR, AD MARKETING & SALES >>
THE SHADE ROOM/REMOTE: Develop and execute a revenue growth strategy to drive direct advertising, branded content, and sponsorship sales as well as lead the development of compelling advertising and branded content offerings tailored for TSR’s audience and cultivate and maintain strong relationships with key advertisers, media agencies, and brand partners. Full info HERE
PROFESSIONAL LECTURER OF COMMUNICATION/SPORTS BROADCASTING >>
MARIST UNIVERSITY/ POUGHKEEPSIE, NY: Teach studio and field broadcasting and new media courses in sports media and journalism as well as be able to teach a studio course on producing a newscast and help students live stream a podcast or produce short-form feature content suitable for social media streaming. Also demonstrate through their teaching, professional activity, and service. Full info HERE
SALES LEAD – AGENCY PARTNERSHIPS
UPWAVE
NEW YORK, NY
Build and manage relationships with our agency partners – mostly targeting media buyers and planners – and help them see the value of adding Upwave measurement to The Trade Desk campaigns. You will both leverage your existing network and open new doors to achieve aggressive but achievable sales targets. Full info HERE |
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