Sterling.VC, which owns the Overwatch League’s New York Excelsior, established Andbox to oversee its esports initiatives, which will also include the New York franchise spot in the upcoming Call of Duty league to become “the first multi-franchise esports organization to represent New York in the world’s preeminent esports leagues.” Andbox will also focus on hosting additional esports events in and around New York City in addition to launching content and developing original lifestyle and apparel products.
Dignitas, the esports organization of the Harris Blitzer Sports and Entertainment, and Clutch Gaming, the esports franchise owned and operated by the NBA’s Houston Rockets, announced the first ever merger involving a League of Legends franchise in Riot Games’ League of Legends Championship Series (LCS). The merger marks the return to the series for Dignitas, which previously fielded teams in (pre-franchised) League of Legends leagues in both North America and Europe and see Clutch Gaming immediately roll into the existing portfolio of Dignitas teams, which includes a World Championship Rocket League team, a two-time World Champion Counter-Strike:Global Offensive female team, as well as outfits competing in Super Smash Bros. Melee, SMITE, Apex Legends and Clash Royale.
The Electronics Entertainment Expo 2019 continued to deliver a bevy of news along with 200 exhibitors for this year’s event. Setting aside game announcements, key headlines surrounding E3 include:
- Microsoft announcing details for Project Scarlett, its next-gen console planned for launch in holiday season 2020 anchored by halo infinite as a launch title. The company also announced the acquisition of indie developer and publisher Double Fine and that the company purchased Psychonauts 2 from Starbreeze.
- Ubisoft detailed plans for Uplay Plus, it new subscription service that costs $14.99 a month and grants players access to the “ultimate editions” of over 100 titles, hitting PC in September, and Google Stadia in 2020.
- Speaking of which, Google announced that that the paid version of Google Stadia, offering 4K, 60fps, HDR streaming, will cost $9.99/month, although subscribers will still have to purchase games at full price to play and own them.
ESP Gaming has rebranded to Estars Studios, with the goal of aligning with sister company Estars, an esports engagement platform. It will continue to deliver production for esports events and content, offering a authentic video content production, tournament organization and logistics, venue management, influencer marketing and more. “We are thrilled to announce our new name as we remain committed to creating exceptional productions and events for our fans and partners,” said Estars Studios Co-Founder and President, Jeff Liboon. “We’ve grown beyond the initial vision for the company and believe this alignment with Estars positions us at the forefront of competitive gaming.”
The British Esports Association has agreed to participate in a new global investment fund aimed at esports, new media and the wider games industry. David Martin, Investment Director at EGF, said: “The aim is to create a fund not yet seen in the esports fund arena, for us that means using an EU country as the home location, publicly listing the fund on Nasdaq and placing ourselves in view of regulators, all whilst creating an open ended, evergreen, partially liquid fund targeting long term capital appreciation.”
7-Eleven, a sponsor of E3, tackled this year’s event by working with pro gamer and streaming star Dr Lupo onsite, where he interviewed E3 attendees, and broadcast “Hot Takes” conference news and more to gamers everywhere through livestreams and social. Cynopsis caught up with Dr Lupo to ask him about his experience at E3, working with Rogue and his dedication to leveraging his streams to benefit charity.
Lupo on E3 personal highlights: It’s difficult to go any further than beyond what City Project Red did during Microsoft’s presentation. Seeing Keanu Reeves on stage of course was guaranteed to be a hit. Cyberpunk looks extremely cool. It’s a genre me and my brothers are super into. Based on what they’ve done in the past, I have a feeling no matter what comes out of Cyberpunk, It’s going to be a hit. I am very excited for that. I thought I would like Halo the best, but it looked like a tech presentation. I played all of the Halos, but I hoped for a little more. I know they’re waiting for Scarlett’s release, though. Then Nintendo’s teaser for the Zelda: Breath of the Wild – that was the first time I’ve seen a developer do such a short snippet like that. Those three have been my favorite.
On the 7-Eleven partnership: With my career taking off in the past few years, I didn’t know how I was going to be able to do everything AND fuel myself while on the road. The 7NOW app covers everything I need in one fail swoop. It’s a no-brainer when you look at my travel schedule. It’s such a solid, easy choice with quality stuff. People relate convenient atmosphere with not great quality, but without a doubt there are so many great, high-quality options on the 7NOW app. They offer really, really good stuff. I’m 32, I have a son, my wife and I try to eat healthy on the road, which is easy with the 7NOW app.
On Rogue: Rogue is very much about family. A conversation I had with some higher ups at Rogue recently was about how there are people that you know whether they’re going to be a fit or if there will be conflict and I want people to associate Rogue with the feeling of being like part of the family. At the same time, you can knock business out of the park with them if needed. It’s always been family.
On leveraging streaming for social good: It’s going to be an interesting landscape over the next few years. Organizations are seeing what crowd sourcing does. Last year we raised $1.3 million for St. Jude. That’s huge. That puts us on the map for everybody. On top of that, with how prominent certain games are like Fortnite. I think we will see more charity related, integrated events. I think it’s a good opportunity for places like that, Jordan Fisher and I this weekend, whatever our duo wins, 100% of the money is split between St. Jude (my charity) and Jordan Fisher’s charity, United Friends. We will probably see that built into future games. It puts such a good light on gaming. Too often, media sheds gaming in a negative light but that is not the case, gaming does a lot of good and we will see that in the future.
Christopher Mann has been named VP of Partnerships with Dignitas. He previously worked at NRG and Endeavor.
|A CYNOPSIS MESSAGE
“ The future of AI is similar to the future of most every new technology, which in short is improvement, commoditization, and democratization. How do we make it better, cheaper and get it into the hands of more people?”
–David K, Sr. Product Mngr, Watson Video Analytics – IBM Watson Media
(Featured speaker at That Big TV Conference on Sept. 9 – 10 in NYC)
Sponsored by: Sinclair – NY Interconnect – Friend MTS – iSpot.tv – NCC Media – TV Time – Tubi
ON THIS WEEK in 1983: Capcom is established.
Trivia: Who portrayed Guile is the 1994 movie of Capcom’s Street Fighter? (Email [email protected] with your answer and be sure to include your name, company and city.)
Answer to Our Last Sports Trivia Question: Which survivor in Left 4 Dead sacrificed himself to save the other survivors? Answer: Bill. Kudos: David Westberg-SAG-AFTRA Federal Credit Union/Burbank; Tom Moore-Kalt Productions/LA
Later — Chris
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ACCOUNTANT/A+E/NY: Perform acctg functions (i.e. monthly accruals, prod royalty statements, compile audit info, ensure financial reporting is accurate) within the Licensing Revenue & Digital Media divisions. BS/BA in Acctg, advanced Excel skills, familiarity w/Acctg software, detailed oriented, strong comm skills. Full info HERE (6/27)
SR ACCOUNT EXEC/VideoAmp/NYC: Unlock insights & value for Fortune 500 marketers & their agencies about their entire mktg investment portfolio to improve campaign efficiency & increase sales. 3-5+ yrs exp. It is fundamental to have industry exposure w/in Video, Digital, and/or TV exp is ideal OR AdTech exposure. Full info HERE (6/27)
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DIRECTOR, ENTERPRISE CLIENT SUCCESS/VideoAmp/NY: Client Success leader w/technical expertise in ad tech & TV to support the success of our clients on the platform to lead a team of Enterprise Client Success Mgrs. 6+ years of client services exp (3 yrs mng team of relevant tech acct support). Full info HERE (6/27)
CAMPAIGN OPTIMIZATION MGR/VideoAmp/NY: Mng portfolio of campaigns to ensure a timely launch, successful performance & full delivery. Strong knwldg programmatic industry & 2+ yrs working in Ad Tech. Video specific background pref’d. Expertise mngng campaigns of different sizes & goals in major DSPs, or working w/SSPs on publisher’s side. Full info HERE (6/27)
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SR DIRECTOR, GLOBAL CONSUMER INSIGHTS/Viacom International/NYC: Resp for dvlpng a deep understanding of Viacom audiences around the world, then disseminating those findings within the company & beyond. 10+ yrs primary rsrch exp, pref in the media field. Exp w/working in an international envir. BA deg. Full info HERE (6/27)
TALENT COORDINATOR (FREELANCE)/Paramount Network, TV Land, Comedy Central/NYC: Resp for booking, mngng, updating & maintaining travel & itineraries for on-air network talent across the three channels. 2 yrs+ providing team support for prod, talent, events, publicity or mktg. Full info HERE (6/27)
SR ANALYST, SOCIAL MEDIA ANALYTICS/Viacom/NYC: Monitor/report/analyze performance of content across VIMN properties on digital media platforms, primarily social. Provide regular reporting & analysis of short-form/social media content. 3-5 yrs of exp providing digital/social rsrch analytics & data to Sr partners. Full info HERE (6/27)
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ANALYST/Sony Pictures Entertainment TV /Culver City CA: Operate within a cross-functional research team in LA, as part of the greater US and Worldwide Research team, as it supports of all lines of SPT Businesses. 1+ yr professional exp in media & ent. Strong comm skills w/ability to and work well with others; flexing between lead and support roles as necessary. Full info HERE (6/26)
MGR, PRODUCTION RESEARCH & STRATEGY/Sony Pictures Entertainment TV/Culver City: Provide support to the research team, primarily in its efforts to conduct test screenings, in addition to commissioning/distributing brand positioning and creative testing studies. 4+ yrs exp ent mkt research and/or prod. Full info HERE (6/26)
PRODUCER/EDITOR/NBC Sports/Stamford CT: Resp to collaborate on the creation of promotional content. Candidate to bring an exciting, vibrant approach to the content creation team. Min 5 yrs broadcast or cable network editing exp. Firm technical grasp on the editing process a plus. Full info HERE (6/26)
EDITORIAL DIRECTOR/Nickelodeon/NYC: Review most scripted brand creative content. Provide copywriting direction to writer/producers. 5+ yrs of exp editing/writing on-air promotional/brand content. Able to handle a large volume of different projects at one time. Full info HERE (6/26)
TRAFFIC OPERATIONS COORDINATOR/Tennis Channel/Culver City CA: Freelance position. Serve as liaison between Prod, Master Control, Traffic and Ad Sales to ensure Airtime and Separation compliance. 5-7 yrs operations or traffic exp. Exp w/broadway or sintec exp pref’d. Full info HERE (6/22)
SR COUNSEL DIRECT TO CONSUMER & DIGITAL ENTERPRISES/NBCU/NYC: Serve as a legal point of contact & provide legal support for all aspects of content acquisition by the Direct-To-Consumer prgrmng team. 7+ yrs relevant legal exp in digital/new media, incl understanding of & demonstrated proficiency w/the tech & dist agreements. Full info/apply HERE (6/21)
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SR PROJECT MGR, ANIMATION/Nickelodeon/NYC: Responsible for the project management of all marketing and creative promotion for Nickelodeon animated properties. Min 7-9 yrs of project mngmnt or prod mngmnt experience in a TV network capacity. Prior exp working in animation a +. Full info HERE (6/20)
SR TALENT BOOKER/The Paley Center/NYC: Identify/invite/secure talent for exclusive screenings, unique exhibitions, A-list premieres & star-studded events. Proven track record & 10+yrs prgrmng exp securing high profile talent for ent/sport & media programs & other special events on time & within budget. Full info HERE (6/20)
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CREATIVE DIRECTOR/Science/NYC: CD w/ strong eye for branding to oversee creative dev of promo cmpgns, branding and cross-promo mktg initiatives for Science Channel. Create viewer loyalty & build ratings through brand character and personality. Inspire staff and freelancers to strengthen ntwrk voice. 10+ yrs promo/mktg exp req’d. Full info/apply HERE (6/20)
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DIRECTOR, INTERNATIONAL DISTRIBUTION & TRADE MARKETING/Viacom International Media/NYC: Plan & mng trade events. Mng Viacom’s international B2B branding. Min 7 yrs mktg exp within Product Licensing, Trade Marketing or Business to Business (B2B) mktg. Full info HERE (6/18)
DIRECTOR, TALENT DEVELOPMENT/PAC-12/SF: Identify, evaluate, and recruit on-air talent for the Pac-12 Networks. Full info/apply: HERE (6/18)
MARKETING RESEARCH MGR/ION/NYC: Arm the sales team with network performance metrics, competitive advantages, and thoughtful research stories. The ideal candidate for this role has a hybrid skill set of both data analysis and storytelling ability. Exp w/Nielsen research & other research tools. Full info HERE (6/18)
WRITER/PRODUCER ON-AIR PROMOTIONS/YES Network/Stamford: Resp for writing/producing daily topical promo & image spots for all YES Network properties. Candidate must have 5+ years’ experience in On-Air Promotions or similar agency/production company. Full info HERE (6/14)
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DIRECTOR, BUSINESS & LEGAL AFFAIRS/Discovery/NYC: Looking for an experienced business and legal affairs exec to provide network support, responsibilities include handling deal negotiations & drafting/review of agreements for development, production & acquisition of docs and nonscripted TV programs. Full info HERE (6/14)
Support the team in executing technical project management responsibilities and mitigating concerns/risk.
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Provide architectural guidance on the most important technical projects within the organization.
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Blue Isle Studios
Work with the creative lead to deliver art assets by assigned due dates.
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Work with creative teams to provide implementation of gameplay features.
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Help improve and refine the graphical look of the game in Unity
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Responsible for all aspects of character animation for both in-game and cinematic content.
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Work with production staff and other leads to establish engineering tasks and manage schedule requirements.
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Collaborate extensively with other teams, including Game Design, Game Client / UI Engineers, QA and others, in order to deliver the best possible experience to our players.
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