Why Movie Studios Must Follow Netflix’s Digital-first Model

By Kevin Hill, Founder/CEO, VuPulse

Unlike what happened in the early 2000s when Napster and pirating threatened the music business before the industry itself was able to adapt and capitalize on the advent of digital music, the film and movie industry seems to have learned a bit from those mistakes of the past. But only a bit.

They were still wholly unprepared for the tremendous changes that Netflix and others brought to the industry over the past decade or so. They have been slow to fully understand the sea change of consumer’s preferences for location and device and time preferences for consuming video content.

However, in the past year or so, that change has been laid bare at their doorstep. Netflix’s massive production machine of original content, which began on the platform itself, made its way to the physical theaters themselves. All indicators point to a scenario where the movie studios and production houses either didn’t see it coming, didn’t think it was a big deal or were simply to slow to act.

Sadly, any opportunity for the movie studios and production houses to lead industry change has long since gone. They now really have no choice left but to follow Netflix’s digital-first model. Take a look – the trends and the facts don’t lie.

We’ve all seen the market data – theater revenue is down and continues to decline – and digital sales are up, a lot. According to DEG: The Digital Entertainment Group, consumer spending on home entertainment rose 8.4% to a record $25.2 billion in 2019, primarily driven by the at-home sector’s biggest growth engine, digital. They also estimated that consumers spent $15.9 billion on subscription streaming in 2019, a full 63% of the home entertainment market, which is a 23.7% increase over 2018. Consumer may want to go out on occasion to see film, but they definitely prefer to stay home and watch all their favorite content. Kicking the dog when he’s down, it’s also a well-known industry fact that cinema box office numbers crater after only two to four weeks maximum, meaning there is less and less incentive to hang on desperately to the “cinema-first” approach.

Movie and film companies’ attempts to combat Netflix’s encroachment into the cinema arena, have been somewhat flaccid at best. You may have noticed in recent half- and full-page print ads for films in The New York Times and others (for those of us who still occasionally look at print newspapers), advertisements for Netflix originals which have partnered with cinema companies for launches, are emblazed with “In Theaters and on Netflix” (using the actual Netfilx logo). Movie and film companies’ only response is, to proudly and defiantly display “Only in Theaters” at the bottom of their ads.

Making it as convenient as possible for consumers to consume the video content they want, when they want it and where they want it, is the name of the game. Sure, I understand they are trying to build a construct of exclusivity, where the consumer must go to the theater to see the offered film. But is that a sustainable business model? If most people are like me, they’ll wait it out, until the film has its short run at the box office and is inevitably forced to be offered digitally on Netflix, iTunes, Amazon Video or all three at some point in time. Again, the numbers don’t lie and the percentage of audiences that “Only in Theaters” will appeal to, is small and getting smaller every day.

Honestly, it’s time for the movie industry to finally bite the bullet and embrace change. Collaboration between the digital video/streaming world and old-school, traditional movie business has already begun and it’s time to stop fighting it. The efficiencies for cross-promotional benefits lie ahead and the hide tide will definitely lift all boats. With digital, it’s much easier to add marketing components, such as social strategy to drive awareness, buzz and sales, thus directly converting from media consumption to purchase. It also goes without saying the inherent ease of measurement with digital.

As they say, when in Rome…


Kevin Hill is Founder/CEO of VuPulse, a digital advertising marketing platform. He has more than 20 years of experience as a marketing and entertainment industry executive, including senior posts at Comcast NBCUniversal, Comcast Cable and Cox Communications.

Related Stories

05/20/24: Cynopsis Media Tech Update

nfl tech

Monday May 20, 2024 Reddit has partnered with OpenAI for a deal that allows use of its data for training AI models. OpenAI will gain access to Reddit’s Data application programming interface, and Reddit will offer AI features to users and moderators, powered by OpenAI. “Reddit has become one of the internet’s largest open archives […]

Cynopsis 05/20/24: “Young Sheldon” finale hits ratings high

"Young Sheldon" finale hits ratings high

A Cynopsis Message From A+E Networks Unforgettable Stories That Move Audiences to Action Fuel Q3 with Our Original Content… Terry McMillan Presents: May/December | Icons That Built America American Godfathers with Michael Imperioli | BIOGRAPHY: ODB Find My Country House Stories. Solutions. Service. A&E | The HISTORY Channel | Lifetime | HOME.MADE.NATION

05/19/24: Cynopsis Jobs


MARKETING ASSOCIATE MANAGER GSTV NEW YORK, NY – HYBRID REMOTE Touch various teams within our group such as Marketing Solutions, Marketing Communications and Design. Our group develops thoughtful marketing and promotional programs alongside our business development team. We collaborate with teams across the organization to develop concepts that meet client needs and then bring the […]

Cynopsis 05/17/24: Streaming sports joint venture gets a name

Streaming sports joint venture gets a name

Friday May 17, 2024 Today’s Premieres Apple TV+: The Big Cigar CBS: S.W.A.T. at 8p; Fire Country at 9p Netflix: The 8 Show Paramount+: RuPaul’s Drag Race All Stars Prime Video: 99 Today’s Finales Apple TV+: Franklin Starz: Mary and George Saturday’s Premiere Oxygen: Accident, Suicide or Murder at 8p Saturday’s Finale CBS: 48 Hours […]