Putting YouTube First

Before most legacy outlets had started thinking seriously about YouTube, Rachel Stockman, President of Law&Crime, was employing a truly YouTube-first strategy, shaping its content from the ground up – with distribution as the priority, not the afterthought. Stockman shares her thoughts on leveraging the platform. 
 
What does a YouTube-first strategy look like in practice and how can industry players better leverage the platform?
A YouTube-first strategy requires full commitment and the willingness to experiment, pivot, and even take a loss at first when necessary. The platform’s greatest strength is the immediate audience feedback and robust analytics, which provide an unmatched ability to adapt in real time. It gives you the liberty to test ideas before going all in on bigger productions. It is important to note, however, that YouTube is saturated because the barrier to entry is low–anyone has the ability to post. It takes long-term commitment and a true obsession with the platform to make it work. The challenge is not to get lost in every single data point; success comes from balancing analytics with creativity, consistency, and strong production value. A key part of that symbiosis is building a team like we have at Law&Crime, made up of incredibly committed writers, editors, producers, reporters, and hosts who understand what works natively on YouTube. We’ve leaned into what makes us unique, taken risks, and created a style and voice that feels authentic to viewers. 

What factors drive long-term success and audience loyalty for podcasts on YouTube?
At the core, it always comes back to great content. Credibility, authenticity, and compelling talent are what set successful YouTube shows and podcasts apart. In the true crime and legal space, our strength is being both first and the most thorough when big stories break. We don’t just chase headlines; we tap into real experts, add crucial context, exclusive footage, and provide reporting that is as authoritative as it is engaging. We also lean into our hyper-engaged audience and turn to them through Q&As and polls to help steer our shows. 

In what ways does AI offer opportunities to transform how audiences engage with true crime and legal content?      
Technology has opened entirely new storytelling possibilities for us. For example, recently, while covering the P. Diddy case where federal courts don’t allow cameras, we recreated courtroom proceedings directly from transcripts using AI so our viewers could literally watch for themselves what was unraveling. Our audience’s response was overwhelmingly positive. Many commented, “This is exactly how A.I. should be used,” and the episodes garnered millions of views. It was a clear example of innovation meeting a real gap in access. For us, AI is a powerful way to bring audiences closer to the truth when traditional access is limited, while still maintaining accuracy and credibility. As these technologies evolve, we are identifying even more opportunities to implement them responsibly, enhancing our viewers’ understanding and engagement without sacrificing the journalistic integrity that defines our work.
 
How do you leverage the IP you create on YouTube to successfully produce for other partners like Netflix, Tubi, and A&E?
One of Law&Crime’s biggest strengths is our unparalleled access to crime and legal stories as they unfold. On any given day, we’re covering 25 or more different legal and criminal cases, which not only builds trust with audiences but also with sources who know we’ll handle their stories responsibly. 

Our show development and social teams work hand in hand–constantly ideating and testing formats and cases on YouTube before they move into bigger productions. Because of this, we’ve become a natural partner for platforms like Netflix, Tubi, A&E, HBO MAX, Fox Nation, and others who want unique access to stories and formats. In many ways, YouTube functions as a temperature reader; it’s where we experiment and see what’s trending, and then we can translate those successes into long-form storytelling that thrives across multiple platforms.

Related Stories

Cynopsis 06/18/26: BBC Slashes Its TV Budget

Thursday June 18, 2026 Good morning and welcome to Cynopsis — the media industry’s essential morning read. Today: · BBC Enters Its Own Austerity Era · The Pitt Season 3 Is Back In Production Mode · Shoppable TV Ads Are Coming To Sinclair-Owned Stations    IN THE NEWS Close your eyes and think of England? […]

Cynopsis 06/17/26: Netflix Is Hunting For M&A Deals

Wednesday June 17, 2026 Good morning and welcome to Cynopsis — the media industry’s essential morning read. Today: · Netflix Still Has Acquisition Dreams · “Kiki’s Delivery Service” Is Getting A Live-Action Adaptation · Expect To See Even More CTV Ad Spending Soon    IN THE NEWS Third time’s a charm? Fox apparently had competition […]

Cynopsis 06/16/26: Fox Makes A Bid For Roku

A CYNOPSIS MESSAGE FROM MADHIVE Tuesday June 16, 2026 Good morning and welcome to Cynopsis — the media industry’s essential morning read. Today: · Fox Buys Roku? Who Saw That Coming? · “House Of The Dragon” Has Finally Built A Strong Foundation · The FIFA World Cup Opens To World-Breaking Records    IN […]

Cynopsis 06/15/26: The FIFA World Cup Sees Record Tune-In

Monday June 15, 2026 Good morning and welcome to Cynopsis — the media industry’s essential morning read. Today: · MrBeast Hits a Half-Billion YouTube Subscribers · Waymo Starts Running TV Commercials · The 2026 FIFA World Cup Sees Record Viewership    IN THE NEWS YouTube is a different beast … right? MrBeast – or Jimmy […]

CynCity

Cynsiders

Instagram