What’s Behind the Resurgence of the Historical Miniseries

Stephen David Crop 

 

By Stephen David, President and Executive Producer, Stephen David Entertainment

 

As a child, I was obsessed with World War II.  American’s greatest victory provided a classic story of good versus evil, with iconic heroes and monstrous villains fighting for the future of humanity.  The version of the story I learned then was clear-cut, patriot and above all else, reverent.  Also, it wasn’t exactly true.

Twenty years ago, this mythical World War II narrative would have made a great television series. But today, audiences are far too savvy. Whether they know the history of World War II or not, people can sense when they’re being sold a lie. In real life, we cannot classify entire nations or separate individuals as strictly “good” or “evil.” We live our lives in shades of grey. Viewers crave this authenticity of character – and when they see it portrayed on screen, whether the character is real or fictional, they do more than respond… they believe.  

 

After our company’s success with the EMMY-winning The Men Who Built America, we continued our partnership with History Channel on another epic historical mini-series: The World Wars. Any one of the two World Wars would have been a daunting undertaking for a documentary, but our thesis was that the  two Wars were in fact united as one ongoing conflict… so, we really had our work cut out for us.

 

Hitler, Mussolini, Stalin, FDR, Patton –how could a viewer ever hope to connect to these towering, iconic figures? When we started breaking down who these men were, we tried to think outside their historical achievements or their crimes against humanity. What we found most fascinating was that these men, like so many of us, had complex motivations and relationships. What sets them apart is how completely those motivations and relationships altered the course of world history. We stopped thinking about them as historical characters frozen in time. They were people, who did great things and awful things, and sometimes both.

 

By looking at who these characters were as young men during World War I, we were able to relate to them as people. Adolf Hitler was a monster, but to simply accept that without thinking about why he was a monster isn’t particularly interesting for a television series. His experiences on the battlefield in World War I shaped his entire worldview. Winston Churchill saved Europe during World War II, but as a young man he was an egotistical, headstrong politician. He bit off more than he could chew during World War I, and his brashness resulted in thousands of deaths. To gloss over Churchill’s guilt or Hitler’s nerve on the battlefield is to fundamentally misunderstand them as people.

 

There’s a reason why we are currently seeing a resurgence of the historical mini-series. It’s not that audiences have suddenly taken a renewed interest in history. We focus on giving viewers what they have always wanted: complex characters. History is full of unbelievable personalities who are as engaging as any of the great characters fictional television has to offer. Many of these historical figures have been buried by years of reverence, and now that we’re exploring their true ambiguities, audiences are experiencing them, in a sense, for the first time.     

 

In our four years as a company, Stephen David Entertainment has covered the map in terms of TV genre (docudrama, documentary, true crime) and currently, we are working on our first fully scripted series. But regardless of genre, our approach to storytelling has remained the same. From development through post-production, we are constantly asking ourselves who our characters are, and why they behave the way they do. By the end of the process, I don’t distinguish these characters as being either historical or fictional. At that point, I’ve spent so much time with them, it no longer makes a difference; they’re real to me. And that is exactly sort of thing an audience picks up on.

 

The World Wars, a three night/episode event, premieres on the History Channel on Memorial Day, Monday, May 26 at 9pm. President Obama will introduce the first episode on Monday evening.

 

In the span of four years, Stephen David’s production and post-production company has emerged as a leader in high-end television specializing in docudrama, documentary, non-fiction, as well as selected scripted series. Since airing in Fall 2012, The Men Who Built America has garnered wide critical acclaim and numerous awards including five Emmy nominations and two Primetime Emmys. The World Wars is the first collaborative project across all of A+E Network’s international channels, France Television and Germany’s N24, Follow along with the show on Facebook and Twitter at #WorldWars.

 

The Cynsiders column is a platform for industry leaders to reach out to their colleagues followers and the public at large.  In their own words, they address breaking news, issues of the day, and the larger changes going on in the ever-evolving world of television, video and digital.  Unique to cynopsis, Cynsiders lives on the cynopsis.com homepage and is promoted across the daily newsletters. We welcome readers’ comments, queries, and column ideas at kittybowe@cynopsis.com

 

 

 

Related Stories

11/23/25: Cynopsis Jobs

shake hands

Sunday November 23, 2025 CONVERGENT TV WORLD AWARDS 2026 The Awards Defining the Next Chapter of Media Today’s media landscape moves at the speed of screens—linear, streaming, digital, gaming, DOOH, and emerging platforms all merging into one powerful ecosystem. With categories spanning creative excellence, advanced data strategy, cross-screen performance, and next-gen monetization, these awards celebrate […]

Cynopsis 11/21/25: HBO Renews “Task” for Season Two

Friday November 21, 2025    IN THE NEWS HBO has renewed “The Chair Company” and “I Love LA” for second seasons. “The Chair Company” is pacing as HBO’s top freshman comedy in platform history, with the season averaging 3.3 million Live+3cross-platform viewers, while “I Love LA” ranks as HBO’s second top freshman comedy ever, averaging […]

Cynopsis 11/20/25: Canadian Drama Headed to HBO Max

A CYNOPSIS MESSAGE FROM OMEDA Thursday November 20, 2025    IN THE NEWS Major League Baseball has inked new media rights deals with NBC, Netflix and ESPN. Sunday night games will move from ESPN to NBC Sports, which also nabbed ESPN’s Wild Card rights. Netflix will have the annual Home Run Derby, along […]

The State of Audience Data for Broadcast, Cable & Streaming Media

Audience expectations are shifting faster than ever, and broadcasters are under pressure to move beyond traditional ratings to truly understand who their viewers are—and what keeps them engaged. Opportunity is knocking, but few are answering. TV Execs see first-party data as a growth driver, yet most aren’t leveraging it to create real audience value or […]

11/19/25: Cynopsis Jobs

jobs4

Wednesday November 19, 2025 CONVERGENT TV WORLD 2026 Your Free VIP Access to the Future of Video At Convergent TV World 2026, industry leaders break down the shifts redefining cross-screen advertising—from converged planning and measurement to creative innovation and privacy-first strategies. If you’re a brand or agency, complimentary VIP Passes are available. Apply today—space is […]

CynCity

Cynsiders

Instagram